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2025
    Kim Hankyul (AIR 2025 exhibition)  2.5 - 18.5      

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2025    Hanna & Björn / Cosmic Serpents
2024   Maja Lindberg Schwaner / Under a new corporate sun
   Ida Idaida / ANATOMICA
  NEJD AIR: Ingrid Blix / STRATA
  NEJD / Inombords flockas vinddriven aska

2023   Runa Rosgaard / It’s complicated
  Upplaga 5 - helg för självpublikation  
  Joel Danielsson & Louise Öhman / Currents
  NEJD / Ruin
  Tommi Keränen, Juho Toivonen, Slogan Motto
  CIA-Debutante & Hällefors
  Jeff Clarke & Blod
  Shredded nerve, Jackson-Pratt, Fantasy Sex

2022  Groupshow / Den längsta natten
  Theo Elias / Fire
  Marcus Samnell / Nightjars in the Garden of Delights
  NEJD Magasin på 3:e Våningen

2021    Upplaga 4—helg för självpublikation
   People Skills, Arv&Miljö, Feberdröm & Incipientium

2020

   Johan Andrén och Moa Gustafson-Söndergaard
    / Den här ytan är viktig för berättelsen

   Upplaga 3 —helg för självpublikation

2019
    Ørjan Amundsen / More World
    Matrijaršija /  Novo Doba
   Upplaga 2 - helg för självpublikation
    Midnight Mines, Skiftande Enheter, Arv & Miljö, Poppets
   Groupshow / Konstrukt
    Orphan Ann, Quack Quack & Pär Thörn
   Erik Lagerwall & Mikael Marklund / Världsberget
2018    Vilde Løwenborg Blom & Guðrún Tara Sveinsdóttir
    Upplaga 1 - helg för självpublikation
    Kristian Olsson
    Kristen resning, Tazer, No Nose & Löss   






Ida Idaida
ANATOMICA
- You must sit downe, sayes Love, and taste my meat
30.8 — 18.9 2024






During the process of putting together ANATOMICA (You must sit downe, sayes Love, and taste my meat, Ida Idaida chose to give in to her body, and the demanding reality of everyday pain and treatments. The resulting pieces reveal a more intimate side of Ida’s practice, where drawing, soft textures and vibrations invite the spectators to join in the soft and sometimes violent bubble of her practice.

 Ida Idaida (*1990, Mora, Sweden) is a multimedia artist and sculptor based in Stockholm. She received her master degree from the Royal Academy of Fine Arts in Stockholm in 2018. 

Her practice, involving monumental sculptures and sketches, draws on movements of pain, trauma and horror between bodies. The sculptures – wooden, metal, textile mechanical structures – result from intensive physical investment and evokes as much industrial era machines as middle ages torture devices. Inviting the spectator to repetitive, obsessive activation, she opens up a space of crossings, where processual, sensorial bodily dialogues retain their violence as much as their intimacy. This sensible materiality reveals as much the limit of one’s body and its leakage through pain.



The exhibition is supported by Göteborgs stad 
and Swedish Arts Council.

Photos by David Eng