NEJD


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2025    14.3-30.3    Hanna & Björn  
      2.5-18.5     Kim Hankyul (AIR 2025 exhibition) 


Archive

2024   Ida Idaida / ANATOMICA
  NEJD AIR: Ingrid Blix / STRATA
  NEJD / Inombords flockas vinddriven aska

2023  Runa Rosgaard / It’s complicated
  Upplaga 5 - helg för självpublikation  
  Joel Danielsson & Louise Öhman / Currents
  NEJD / Ruin
  Tommi Keränen, Juho Toivonen, Slogan Motto
  CIA-Debutante & Hällefors
  Jeff Clarke & Blod
  Shredded nerve, Jackson-Pratt, Fantasy Sex

2022  Groupshow / Den längsta natten
  Theo Elias / Fire
  Marcus Samnell / Nightjars in the Garden of Delights
  NEJD Magasin på 3:e Våningen

2021    Upplaga 4—helg för självpublikation
   People Skills, Arv&Miljö, Feberdröm & Incipientium

2020

   Johan Andrén och Moa Gustafson-Söndergaard
    / Den här ytan är viktig för berättelsen

   Upplaga 3 —helg för självpublikation

2019
    Ørjan Amundsen / More World
    Matrijaršija /  Novo Doba
   Upplaga 2 - helg för självpublikation
    Midnight Mines, Skiftande Enheter, Arv & Miljö, Poppets
   Groupshow / Konstrukt
    Orphan Ann, Quack Quack & Pär Thörn
   Erik Lagerwall & Mikael Marklund / Världsberget
2018    Vilde Løwenborg Blom & Guðrún Tara Sveinsdóttir
    Upplaga 1 - helg för självpublikation
    Kristian Olsson
    Kristen resning, Tazer, No Nose & Löss   






Marcus Samnell
Nightjars in the Garden of Delights
13 — 25 Maj 2022





Nejd presents "Nightjars in the Garden of Delights", an installation and assemblage of found objects, sculpture, printed and painted images, sound and text. The music is specially composed for the exhibition. In the ruins of the Garden of Eden, conspiracy theories and acute medical conditions fester along with the death drive and posthuman phantasies of civilisation, like wounds or rashes from poison oak and stinging nettles.
Markus Samnell is based in Gothenburg and did his BA at Bergen Art Academy. He works in numerous artistic fields and makes music under the moniker Feberdröm. His work is often based on ciomplex and not necessarily transparent systems of reference and personal mythologies, in which world events and politics, private experience and cultural/pop cultural tropes are boiled down into absurd and surreal presentations